Experience what Zell Music Director Riccardo Muti calls “the work of a divine architect” in this special encore presentation of Beethoven’s Ninth Symphony. Recorded live September 18, 2014, at Orchestra Hall during one of the opening programs of the Chicago Symphony Orchestra’s 2014/15 season, this performance features Muti leading the Orchestra and Chorus and distinguished soloists in one of history’s most powerful and inspiring artistic works. A masterpiece whose staggering influence can be seen across classical music, it concludes with the famous Ode to Joy, which calls for understanding, peace and universal goodwill. The Chicago Symphony Orchestra is grateful to an anonymous donor for generously underwriting the recording of this concert in 2014.

Karajan's very best video Beethoven 9th Symphony, recorded December 31, 1977. The Quartet of vocal soloists and Chorus in IV are superb. This is much better than Karajan's 1968 Berlin Philharmonic Beethoven 9 video (DG), filmed in the Philharmonie with no live audience present.

This Beethoven Symphony No. 9 from the outstanding Beethoven 9 Project of Christian Thielemann and the Wiener Philharmoniker, first time recorded in HD and 5.0 surround sound, is accompanied by a one hour-long documentary featuring Christian Thielemann and Germany´s most eminent music critic, Prof. Joachim Kaiser. From insights into Beethoven´s musical thinking to interpretational comparisons, including excerpts from performances by Karajan, Bernstein, Järvi, to historical perspectives – no aspect of Beethoven´s Symphony No. 9 will remain untreated!

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Acclaimed German conductor Kurt Masur leads the Gewandhaus Orchestra and Chorus in this performance of Beethoven's marvelously sprawling Symphony no. 9 in D Minor, op. 125, filmed live in Leipzig's Gewandhaus concert hall in 1991. Joining the magnificent assembly are soloists Venceslava Hruba-Freiberger, Doris Soffel, James Wagner and Gwynne Howell, providing an unforgettable setting for Beethoven's masterpiece.

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Showcasing a musical masterpiece in a rare full-length television recording by the Vienna Chamber Orchestra with the Westminster Symphonic Choir, under the direction of conductor Mark Laycook. An introduction to the performance, narrated by actor John Lithgow, gives a unique perspective on music history.

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慕特，小提琴／马友友，大提琴★巴伦波英，钢琴、指挥东西和平会议管弦乐团 1999年夏天，巴伦波英与巴勒斯坦建国运动活跃分子萨伊德在德国威玛成立由阿拉伯与犹太人组成的「东西和平会议管弦乐团」，实现让对立的民族透过音乐来反思与相互了解的理念 。 这个已经成为包容多元文化象征的乐团在2019年庆祝成立二十周年，巴伦波英选择以贝多芬的作品来纪念这个珍贵的成果。巴伦波英认为，贝多芬不但公认是一名人道主义者，可能也是音乐史上第一位真正非常规的作曲家。 演奏贝多芬的作品时，音乐家的肢体必须全心投入，因为贝多芬的音乐「强迫你走到刀口，走到悬崖，接着走进深渊。这需要极大的勇气。」贝多芬的作品具有永恒难以抗拒的魅力与普世价值。 对慕特认而言，「应该如兄弟姐妹般生活的想法，是他（贝多芬）最主要的成就⋯⋯这样的想法让他成为为过去指出美好未来道路的信使」。专辑的两部作品都反映出这种肯定生命的信息。 这是乐团于2019年七月与十月，在阿根廷布宜诺斯艾利斯与德国柏林演出实况。 第七号交响曲以愉快的舞蹈风格闻名，整部作品几乎都有轻快的节奏。 三重协奏曲在贝多芬的作品里也占有特殊的地位。 高雅精练的风格与乐曲结构，既彰显出他的幽默感，也表现出革命精神。 正如马友友所说，音乐里接连不断的创意令人惊讶不已。

Ian Hislop and John Eliot Gardiner reveal the story behind Beethoven's Fifth Symphony. Described as the 'greatest 'great' piece ever written,' its opening notes are among the most recognisable in history.